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The Melodrama World Tour was the second concert tour by New Zealand singer-songwriter Lorde, undertaken in support of her second studio album, Melodrama (2017). Lorde headlined several music festivals before commencing the tour, and went on to communicate frequently with stage designer Es Devlin to plan the show's design. European shows began in September 2017, followed by dates in Oceania and a solo trek through North America. Dates in other European cities soon followed along with various festival performances.
The show consisted of three segments and two costume changes. The first featured Lorde in a dark outfit, while during the second segment she wore a lighter costume. The set list consisted of songs from her debut and second studio albums. She also performed one of several cover versions of songs at each show and premiered an unreleased song titled "Precious Metals". An alternate set list with several video interludes was performed during the first European leg of her tour. The show received critical acclaim, with critics complimenting her stage design and her presence. (Full article...)
Image 16Percentages of people reporting affiliation with Christianity at the 2001, 2006 and 2013 censuses; there has been a steady decrease over twelve years. (from Culture of New Zealand)
Image 28A 1943 poster produced during the war. The poster reads: "When war broke out ... industries were unprepared for munitions production. To-day New Zealand is not only manufacturing many kinds of munitions for her own defence but is making a valuable contribution to the defence of the other areas in the Pacific..." (from History of New Zealand)
Image 36The scalloped bays indenting Lake Taupō's northern and western coasts are typical of large volcanic caldera margins. The caldera they surround was formed during the huge Oruanui eruption. (from Geography of New Zealand)
Image 48The Māori are most likely descended from people who emigrated from Taiwan to Melanesia and then travelled east through to the Society Islands. After a pause of 70 to 265 years, a new wave of exploration led to the discovery and settlement of New Zealand.
Image 49Māori whānau (extended family) from Rotorua in the 1880s. Many aspects of Western life and culture, including European clothing and architecture, became incorporated into Māori society during the 19th century. (from History of New Zealand)
Image 50Men of the Māori Battalion, New Zealand Expeditionary Force, after disembarking at Gourock in Scotland in June 1940 (from History of New Zealand)
Image 52European settlers developed an identity that was influenced by their rustic lifestyle. In this scene from 1909, men at their camp site display a catch of rabbits and fish. (from Culture of New Zealand)
Image 53Hinepare of Ngāti Kahungunu, is wearing a traditional korowai cloak adorned with a black fringe border. The two huia feathers in her hair, indicate a chiefly lineage. She also wears a pounamuhei-tiki and earring, as well as a shark tooth (mako) earring. The moko-kauae (chin-tattoo) is often based on one's role in the iwi. (from Culture of New Zealand)
Image 54New Zealand is antipodal to points of the North Atlantic, the Iberian Peninsula and Morocco.
Think Big was an interventionist state economic strategy in the early 1980s, sponsored by Robert Muldoon (Prime Minister: 1975 - 1984) and his New Zealand National Party government. The 'Think Big' schemes saw the government borrow heavily overseas, running up a large external deficit, and using the funds for large-scale industrial projects. Petrochemical and energy related projects figured prominently, designed to utilize New Zealand's abundant natural gas to produce ammonia, ureafertilizer, methanol and petrol.
The core 'Think Big' projects included the construction of the Mobilsynthetic-petrol plant at Motunui, the complementary expansion of the oil-refinery at Marsden Point near Whangarei, and the building of a stand-alone plant at Waitara to produce methanol for export. Motunui converted natural gas from the off-shore Maui field to methanol, which it then converted to petrol on-site. Declining oil prices rendered this process uneconomic and New Zealand abandoned the manufacture of synthetic petrol. The construction of the Clyde Dam on the Clutha River formed part of a scheme to generate electricity for smelting aluminium.
The New Zealand economy probably benefited from economic activity during the construction period, but the basic justification for the projects, a permanently higher oil-price, did not happen. Oil prices subsequently dropped in real terms. (Full article...)
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